Tu Ber Cu Lucas And The Sinus Blues
Fully altered to reflect today’s revitalized blues world, this guide is any blues fan’s lifeline to the best blues past and present. It reviews and rates 7,000 recordings in all major styles throughout the blues map – from Delta blues to Louisiana, Memphis, Chicago, Texas, and beyond; from classic female singers to jump blues, blues slide guitar, blues in jazz, soul blues, blues-rock, progressed acoustic and electric blues, and more. This fun and easy-to-use guide provides profiles of over 1,000 blues artists. Thirty historical essays plus supplemental “music maps” chart the origins and evolution of the blues, it is respective styles, instruments used, key artists, and more. The essays explore the blues from the Mississippi Delta to progressed electric blues and everything in between.
Review”Should be on each blues lover’s list.” -Blues Access “Easily the best blues guide…a real winner.” -Real Blues
About the AuthorVladimir Bogdanov is president of All Media Guide (AMG); Chris Woodstra is AMG vice president of content development; Stephen Thomas Erlewine is AMG conductor of content, standard music.
Most helpful customer reviews
13 of 14 people found the following review helpful.
The best on the market! By KTD73 The other reviews focus on the flaws in this book, and there certainly are some. (My biggest problem is that the number of stars given to rate a certain album sometimes don’t match with the written reviews.) But overall there is so much wonderful and helpful information in this book that I can’t recommend it highly enough.
3 of 3 people found the following review helpful.
Good, but lacking in some areas By Bowiebuff As another reviewer pointed out, the omission of Chuck Berry is unbelievable, he is mentioned throughout repeatedly but does not have his own section (bio or discography). A few pretty well known recordings by artists included were omitted as well; the most glaring of these omissions would have to be Muddy “Mississippi” Waters Live, an album that many consider to be a blues classic. It is a very thorough book and I recommend it to any blues fan as its strong points far outweigh its weaker points, such as the aforementioned omissions.
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